AS THE month-long Masskara Festival progresses in Bacolod, we are preparing the weeklong Haw-as Festival in Dumangas that will start on October 26.
On October 27 and 28, there will be a Dumangas Haw-as Film Festival that will also include The Peter Solis Nery Foundation International Film Festival (ThePSNFIFF) 2022.
The idea is to bring films by Dumangasanon filmmakers to the public for free.
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My programming is modest.
The idea is to show one full-length feature each night.
Which is fine because we were only given two nights. Haha.
So, one full-length on opening night, one full-length on closing night, with some shorts by other notable and upcoming Dumangasanon filmmakers.
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On Opening Night, we will show Tara Illenbergerâs ToFarm Best Picture film âHigh Tideâ (108 mins).
Tara is a Dumangasanon.
Iâm not sure if she was born in Dumangas or in Iloilo City, but her mom is a Barrera.
(Yes, it can happen that rich Dumangasanon families deliver their babies in the bigger hospitals of Iloilo City.)
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The Barrera family operated the Riverside Bakery when I was growing up.
My favorites were their pan de ciosa, mamon (I can swear itâs what the American South calls âcornbreadâ), and catalogan.
I was probably closer to Taraâs two older sisters, Bambi and Chiqui, while growing up; but at least now, I sometimes have coffee with Tara.
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On Closing Night, we will show my film âGugma sa Panahon sang Bakunawaâ.
The film was a finalist at the 1st Sineng Pambansa National Film Competition of the FDCP in 2012.
So yeah, itâs a special tenth anniversary screening.
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To âopenâ for Taraâs âHigh Tideâ (in the sense that some acts open for the main performers in a concert), I have chosen two shorts by Joey Rap Decolongon: âINGâ (9 mins), and âKalawitâ (2 mins).
Joey Rap worked with me in some films early in his career.
He probably is more responsible for my full frontal nudity in âIkapito nga Adlawâ (7th Day) than I am.
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Now, I do not play the victim card here; or assign the blame to someone else.
After all, I am the director of âIkapito nga Adlawâ!
But Rap-rap filmed a beautiful nude sequence of me (I was in front of the camera! So how much control can I manage?), and spliced it in in the editing.
I mean, itâs the âcreation of Adamâ, so it worked for the film.
When my editor showed me the first cut, I said, âGo with it!
Letâs give Iloilo a heart attack!â
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Unfortunately, âIkapito nga Adlawâ will not be shown at the coming festival.
But maybe you can order it from #ThePSN Premium Channel. Haha.
Joeyâs films are short; no need to even explain them to you.
Just go watch and enjoy them.
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Joey is an exciting filmmaker.
He actually gave up working as a seaman (was it as a cruise line crew?) to work as a filmmaker.
In the last ThePSNFIFF prepandemic, we screened his short âAbyanâ which has participated in some filmfests abroad.
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We are also showing Leonard Ian Billonesâs âItom nga Bugas, Kanaryo nga Ugatâ (15 mins) after Joey Rapâs shorts.
Leonardâs film won the Best Screenplay at the Gawad CCP para sa Alternatibong Pelikula at Video.
I am excited to see Leonardâs short because Leonard was actually a participant in the 2019 Peterâs Prize for Film.
That film prize, of course, started the idea of ThePSNFIFF.
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A short opening program will follow Joeyâs and Leonardâs shorts, and then, we are off to Taraâs âHigh Tide.â
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On our second night, which will also serve as our Closing Night, we will screen at 7 pm sharp my âLa Sireneâ (15 mins), which stars Jannah Poncy.
The film was shot in Nueva Valencia, Guimaras but with mostly Dumangasanon cast and crew.
Jannah Glycel Poncy is a French-Filipina beauty, who, in a few years, could be our next Miss Universe contestant.
I met her when she was very young.
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âLa Sireneâ is the first French film directed by an Ilonggo filmmaker.
And Iâm so glad to have made the film even when I was just running with my hunches.
The short premiered at the 2019 Haw-as Festival, and was probably the biggest reason why we have the ThePSNFIFF and Haw-as Film Festival today.
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For historical record and documentation, the idea of the Dumangas Haw-as Film Festival came to me in 2019, along with the original ThePSNFIFF.
So yeah, I hold the copyright (although currently unregistered) trademark to that. Haha.
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âLa Sireneâ will be followed by âThe Films of the 2019 and 2021 ThePSNFIFFâ, respectively.
Yep, all the official selections of the Peterâs Prize for Film.
All 25 or 26 of them, which will not be very long because the films are only 3-minute long each.
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Then, thereâs a closing program, and we end the night with âGugma sa Panahon sang Bakunawaâ (112 minutes), which you shouldnât miss if only for the haunting theme song âSa Imo Lang Akoâ by Eman Abatayo.
The ballad, to my expert opinion, is still the best contemporary Ilonggo love song of the new millennium./PN